First Gig
Damn! Damn!
Damn! I mashed my finger! Who’d have thought pushing the old piano out
from the music room to the back of the stage was dangerous, for crying out loud. When Hank and I went around the corner, he
didn't stop pushing when I told him to stop.
I have to find a Band-Aid. I've
got blood on my clean white shirt cuff.
I'll be the only guy in the band with my sleeves rolled up.
And like I was telling Hank, I don't know how the
hell we're supposed to look like a rock and roll band if we're wearing Perry
Como sweaters. And Mike certainly needs
to look older. We’re all 15 and sixteen,
but he looks like he’s 12 in that sweater.
Earlier
today the five of us piled into Jimmy's mother’s brand new ’58 Chevy and drove out to the new shopping center ...
the one they built on our old ball field, for crap's sake ... to buy outfits
for our first gig tonight. We all have
black chinos, so we needed some kind of shirt and jacket. But Mike talked us into this sleeveless
sweater thing that has only a couple of buttons on the front at the
bottom. And white shirts. No tie, thank goodness. But to be funny I
suggested we get bow ties. If the crowd didn't like our rock and roll
music, we could switch to Barbershop.
I
know what Mike was thinking about ... girls.
I wanted us to buy the orange colored jackets. But it's too warm to wear coats in school
this time of year. The Principal
wouldn't let us wear 'em anyway, but Mike probably figured we could wear the
red sweaters and impress the girls. They
would ask, "Hey, why are you guys all dressed alike?" And we'd have to answer, "Got an early
gig tonight. Hittin' the highway right
after school." In other words,
"Aren't you impressed?"
The girl I'm dating, Mary
Ellen, doesn't believe I'm a rock and roll musician. She says I'm just a teenager. Well, so are Dionne and Fabian, I tell
her. "They've got talent," she
says. But she hasn't heard me sing For Your Love yet. If she comes to the dance tonight, she'll
change her mind when she hears my terrific rendition of the song.
To
tell the truth, I don't feel like a rocker.
I don't have much of a beard yet and I don't play the piano all that
well. And the DJ who hired us for
tonight doesn't like me. He goes by the
name of Mr. Personality on the radio. He
heard me call him Mr. Puke under my breath when we met him last month and he
told me to get a haircut. I suppose I
should be grateful he asked us to come along to the dance and play a few songs,
especially since no one has hired us yet.
Hopefully,
this gig will get us some attention and we'll get better paying jobs every
weekend. We can save the money for more professional outfits, like those orange
tuxedos, or the blue plaid dinner jackets worn by bands like Red Rovero and the
Rockin' Pneumonias. Jimmy doesn't like
the orange tuxes and says we'll be mistaken for a baseball team from
Florida But I'd feel more like a real
musician in a tux with a gold cummerbund.
We’re
setting up the drums and amplifiers behind the curtain on the stage of the
school auditorium and we're laughing nervously as we get closer to that dreaded
moment when Mr. Puke will announce us.
I've got butterflies leaping
around in my stomach and I am not feeling like a lead singer at this moment.
I'll admit it: I'm just a 15 year old kid who plays mediocre piano and has
trouble singing high notes. I can't
remember why I agreed to sing to an audience of kids who know me and will probably
laugh their asses off.
I
listen to the DJ out in front of the curtain and am amazed how friendly his
voice sounds. He's a bully, but does a
good job covering it up. He orders us around like he owns us. We thought we were invited to be a major part
of the show. I'll bet he opens the curtain
for us to play and then closes it after one song. The last time he came back while a record was
spinning he began to tell us how to play our music and threatened to not let us
go on. Screw him.
I
hear another record begin and Mr. Puke comes behind the curtain again. I wish he'd just stay out front and do his
job and leave us alone.
"You
guys ready?" he asks
"Get
ready to hear the next national sound sensation ... The Bel Airs!" shouts Jimmy.
Thank
God for Jimmy's bullshit. He lives life
pushing against the wind. Jimmy will go
chest to chest with anyone who stands in
his way. If he hadn't talked me into
this … well, I'd be sitting home with
Gunsmoke playing on the TV, I guess.
Being a rock and roll musician has gotta
be more fun than watching Marshall Dillon look down the front of that old broad’s dress. Kitty’s got more
spots on her face than a Dalmation..
I'll
be OK if I don't sing off key or forget the chords and riffs I practiced on the
piano over and over all week. I hope I get the feeling back in my finger
and the Band-Aid doesn't get in the way.
I
don't play the piano when I sing For Your Love. I'll be up in front singing into the mike.
Between
records I can hear the crowd getting larger as more teenagers arrive at the dance. I take deep breaths to keep my hands from
shaking.
"Davey,
give me a B flat," says Lowell, our sax, wanting to get us tuned up
together.
I
tap the key on the old piano and a searing pain shoots up my finger. It's not getting any better.
"That's
not a B flat," says Lowell.
"Lowell,"
I say, "I'm on the brink of becoming an international rock and roll star,
and I would never forget where the B Flats are on the keyboard."
"Then
we're in trouble," says Lowell.
It's
me who's in trouble, not the rest of the band.
Mike has his little blow-through guitar tuner and we quickly conclude
the piano is about a mile and a half away from standard scale. The songs I play in E will tonight have to be
in A-flat. A-flat? Who the hell can play a piano in A-flat? I can transpose quickly enough, but the riffs
and runs I've practiced all week are out the window. Holy Crap! A-freaking-flat!
"You're
on at the end of this record." shouts Mr. Puke as his head pops through the curtain. We all glance at each other as if we've just
been found guilty of a major crime.
"Dave,"
Mr. Puke calls to me, "when I announce you guys, pull the rope and open
the curtain. Then come out and join the
band."
What the hell!
We planned to start playing as the curtain opened. I'll be running on stage after they start our
first song, a Duane Eddy instrumental called Raunchy. I'll look like
hired help or a fill-in who isn't really part of the band.
Jimmy
steps toward the DJ and says, "We're changing our first song. We'll let
Dave do For Your Love first.
"I
think the Duane Eddy is a better opening," says Mr. Puke.
"Nope,"
says Jimmy, "For Your Love's got a
long intro and that'll give Dave time to get out here to the mike."
Mr.
Puke rolls his eyes and his face disappears back through the curtain.
"Are
you kidding?" I say. "I'm
gonna pull on the freaking curtain ropes, then run on stage and start
singing?"
"We'll do a big build up to give you time," says Jimmy. "While you're coming on stage, I'll introduce you. "And now, directly from the Men's Room at the Waldorf Astoria ... Deadly Dave!" He breaks up laughing.
"We'll do a big build up to give you time," says Jimmy. "While you're coming on stage, I'll introduce you. "And now, directly from the Men's Room at the Waldorf Astoria ... Deadly Dave!" He breaks up laughing.
Buddy
Holly's "Oh Boy" ends and we all look at each other like we're about
to be shot. I turn and run to the side
of the stage and pull on the curtain rope.
Jimmy plays two chords from Raunchy,
realizes his error, and not too smoothly slides over to the opening chords
of For
Your Love. I keep pulling down on
the rope and the curtain slowly separates.
My hands are so sweaty they slip.
I imagine the kids down on the floor watching the curtain open in
spurts, stopping and starting, as if the stage isn't sure it wants to be part
of this disaster.
The
curtains are only halfway apart when the music stops and Jimmy speaks into the
mike. He glances over his shoulder at
me. Then he waves "c'mon" and launches into an impromptu monologue.
"Our
piano player has arrived from his hospital bed," he says. "But he
insisted on singing that fabulous hit song, "For Your Love," in honor
of the pack of elves he killed when he came around a turn too fast on the
Frankfort Gorge road in his father's Buick and swept them all into the creek
and drowned a dozen of them."
No
one is laughing. The kids might believe him.
I
let go of the rope when the curtain is most of the way open and take off for
the front of the stage. The band laughs
wildly, but the kids in the audience sense something is going wrong and have
that deer-in-the-headlights look on their faces.
Rounding
the Hi Hat cymbals, I jump over the cables and reach the front of the stage
terrifically out of breath, hardly prepared to sing my first song in
public. Jimmy gives me the chord. I grab the mike-stand and pull it toward
me. The worst feedback I ever heard in
my life erupts from the speakers, squealing like a pig with distemper. Jimmy and I back away from each other and I
begin to sing.
The
key … whatever the hell key we settled on using Mike's guitar tuner … is a
little too high for my voice. I don't
think I can hit the high notes when I get there.
A
few couples down on the floor attempt to dance, but since the audience is
mostly junior high kids, many stand around in groups whispering, girls looking over at the boys. I hit the first high note square and with
volume, then drop down two notes to huff out a low note, just like Brook Benton,
just like I practiced it at home in the bathroom while my younger brother lurked outside the door
and answered with animal sounds,
laughing at my efforts. I long
for the old days when I punched him and he stayed punched. One good one on his shoulder and he'd run and
hide under his bed. But now he's bigger
and he hits back.
When
I push out the second high note, a girl screams. She is probably testing out her vocal chords
to get them greased up for a future of teenage rock concerts. Or maybe she spotted a rat running across the
floor.
Or
... damn! Maybe she smells smoke and the
school is on fire! I can't sniff the air
as I sing "more foolish I grow,” but I wonder if the band has to stay
until everyone gets out of the burning building, like the orchestra on the
Titanic. I don't think I want to remain
behind while the other kids escape the fire.
Do I need to? After all, I'm not really
a professional musician. I haven't even
joined the union yet.
I don't see Mary Ellen and I hope she hasn't taken
this opportunity to go to the girls' room with half of her classmates. I’ll never understand
why girls go to the bathroom in packs.
It seems odd the entire group of young women are all on the same fluids
regimen and bathroom schedule. They must
start synchronizing themselves in the afternoon before the dance, calling each
other up on the phone and announcing, "OK, we're all going to try to go
potty at 4 o'clock, and only one glass of water with supper."
Oh, here she is!
Shoot! She missed the parts of
the song I do best.
For Your Love is soon over, but not before we do the tune's
hallmark ending where the accompaniment stops and the singer croons a final
"For-or-or-or-or ... Your-or-or-or-or
… Luh-uv. I can never get the
ending right. Sometimes I put in an
extra "or" and this throws the
rest of the band off. Instead of one
final crash of all the instruments on the last note, when I get the number of
syllables wrong the drums and rhythm guitar and sax dribble in separately like
weary travelers. This time I count the
beats on my fingers and get it right.
But there's a pause after "For-or-or-or" while I breathe
before “Your Love." As I inhale,
Jimmy loudly hiccups. Hank and Mike and Lowell
laugh and I stand there looking stupid.
The audience applauds anyway, maybe enthusiastically. The young girls are still screaming, but now
their classmates tell them to shut up.
Hey! I feel pretty good about my performance. In no time I’ll be sharing the stage with
Frankie Avalon. I might get asked by
Dion to join the Belmonts as a backup singer!
Back
to the piano for the rest of our set, I still can't figure out what key
everyone is in, so I lightly tap on the keys and smile without playing a single
note. Hank says I'm at my best when I
fake it and no sound comes out of the piano.
When
someone … I don't know who … closes the curtain, we all whoop and slap each
other on the back. Mr. Personality says
to us, "That was terrific! I mean the introduction of Deadly Dave. And
the hiccup! Jimmy, you were born for
the stage!"
He
never mentions my singing. I got
upstaged by a hiccup.
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